"Sautillé" is a musical term frequently used in the context of stringed instruments, especially the violin, as a performance directive. This French-origin term directly translates to "jumping" or "leaping", signifying a distinct bowing technique wherein the musician plays the notes in an animated manner, eliciting rapid bouncing of the bow on the strings.
In a sautillé performance, the musician typically orchestrates the bow to lightly bounce on the strings, creating a swift succession of brief and lively bow strokes. This technique yields a musical effect marked by a pronounced sense of rhythm and exuberance. Despite the short intervals between notes, each note remains distinct and audible.
In music, sautillé is often harnessed to accentuate rhythmic qualities and infuse a vivacious and animated ambiance. Employing this style of play necessitates the performer's adeptness in rhythm perception and bowing control, ensuring that each bow stroke maintains the correct speed and intensity while preserving the fluidity and musicality of the piece.
"Sautillé" is frequently encountered in fast-paced musical compositions and presents a challenge to performers, demanding the execution of notes at a rapid tempo. This technique introduces a dynamic and spirited dimension to stringed instrument music.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.