"Staccatissimo" is a musical term used to indicate an extremely short and detached articulation of a note. It is derived from the Italian word "staccato", which means "detached". Adding the suffix "-issimo" intensifies the effect, emphasizing an even shorter and more pronounced separation between the notes.
When a note is marked with a staccatissimo articulation, it is played with a brief, crisp, and abrupt attack, followed by an immediate release. The duration of the note is significantly shorter than in regular staccato or regular detached articulations. It creates a distinct and punctuated sound, adding emphasis to the individual note or phrase.
To achieve a staccatissimo articulation, performers use quick and precise bowing or finger technique, depending on the instrument. For string instruments, it involves a brief separation of the bow from the strings, or a sharp release of the fingers in the case of piano or other keyboard instruments. Wind and brass players utilize short and precise tonguing techniques to produce the staccatissimo effect.
Staccatissimo is often indicated in musical notation by placing a dot directly above or below the notehead, or by using a specific staccatissimo symbol. It is commonly found in compositions across various genres, including classical, jazz, and contemporary music.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.