"Spiccato" is a bowing technique commonly used in string instrument playing. The term "spiccato" comes from the Italian word meaning "to bounce" or "to jump", describing the action of the bow bouncing off the strings.
In spiccato playing, the performer uses quick and short bow strokes to create a bouncing effect on the strings. The bow is lifted lightly off the strings, allowing it to rebound freely and produce clear and rhythmic notes. The performer typically achieves this bouncing motion by using controlled wrist and arm movements.
Spiccato can be performed at different speeds and dynamics, ranging from light and nimble bounces to more forceful and energetic strokes. It is often used in passages with fast tempos, jumping note patterns, or sections that require a strong rhythmic emphasis.
Mastering the spiccato technique requires precise bow control and a sense of rhythm. Performers must develop the ability to control the bow pressure and speed to ensure accurate and clear articulation of the notes.
Spiccato technique is employed in various genres of music, including classical, folk, and contemporary music. It offers performers a versatile means of expression, adding liveliness and rhythmic emphasis to the music.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.