"Rhetoric" in music refers to the use of musical elements and techniques to convey or evoke specific emotions, thoughts, or messages within a composition. Just as rhetoric is employed in language and literature to influence an audience, musical rhetoric aims to communicate and interact with the listener on emotional and intellectual levels.
Here are some key aspects of musical rhetoric:
Rhetoric in music often involves the use of musical figures or gestures that evoke specific associations or emotions. For example, a descending chromatic scale may represent sadness or melancholy, while a rising scale may symbolize triumph or joy. Musical gestures such as trills, tremolos, or sudden dynamic changes can add drama or intensity to the music.
Furthermore, musical rhetoric encompasses the organization and structure of a musical composition. Just as a written text is divided into paragraphs or sections, musical compositions may have distinct sections or formal structures that help guide the listener's understanding and interpretation of the music.
The study of rhetoric in music involves examining the rhetorical devices used by composers and performers throughout history, as well as understanding the cultural and historical context in which the music was created. It offers insights into the expressive power of music and the ways in which it can engage and move its audience.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.