"Waltz" is an elegant dance known for its smooth rotations and triple meter rhythm. It originated in Austria and Germany and rapidly spread across Europe in the late 18th century. The name "Waltz" comes from the German word meaning "to turn", as dancers in the waltz continuously rotate during the dance.
The basic steps of the waltz are a characteristic triple meter dance, typically performed in 3/4 or 3/8 time signatures. Dancers gracefully rotate to the rhythm of the music, completing one cycle of movements every three beats. This fluid rotation and movement give the dance an air of elegance and lightness.
Musically, waltz compositions are typically played by string instruments, especially the violin and cello. The music of the waltz is known for its melodious and romantic quality. Waltz music is also characterized by its elegance and gentle nature.
Although the waltz reached its peak in the 19th century, it is still beloved in modern times and widely taught and performed in dance education and social dance events. This dance not only holds historical significance but is also an elegant performing art that attracts many people for learning and enjoyment. Whether danced in ballrooms or appreciated at concerts, the waltz remains a charming form of performing art.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.