Concerto Grosso

A small group of solo instruments contrasting with the full orchestra

"Concerto Grosso" is an important musical form within the Baroque period characterized by the presence of two or more solo instruments (referred to as the "Concertino") and an orchestral ensemble (referred to as the "Ripieno" or "Tutti"). This form was highly popular during the Baroque era, providing opportunities for interaction between soloists and the orchestra, as well as showcasing dialogues and concertante aspects among different instruments.

Key features of the Concerto Grosso include:

  • Contrast: One of the most significant features of the Concerto Grosso is its contrast. It typically consists of two distinct groups – a smaller group of solo instruments (Concertino) and a larger orchestral ensemble (Ripieno or Tutti). This contrast creates a musical dialogue and interaction, offering rich expressive possibilities for both composers and performers.
  • Multi-Movement Structure: Concerto Grossi generally comprise multiple movements, including fast and slow-paced ones. Common movements include the quick "Allegro", the slower and more lyrical "Adagio", and a fast final movement (e.g., "Presto"). This multi-movement structure provides expressive depth and emotional diversity.
  • Ritornello Form: Concerto Grossi typically adhere to the Ritornello form, where the main theme or motif (known as the Ritornello) played by the orchestral ensemble alternates with solo movements featuring the Concertino group. This form provides structure and unity to the composition.
  • Ornamentation: Soloists in the Concertino group often add embellishments and ornaments to their passages, enhancing expressiveness and individuality. These ornaments may include rapid note runs, variations, trills, and slides, showcasing the performers' skills and creativity.
  • Baroque Instruments: Concerto Grossi were typically composed for Baroque instruments such as the violin, cello, oboe, and harpsichord.

Some renowned Concerto Grossi compositions include Corelli's "12 Concerti Grossi, Op. 6", Vivaldi's "L'estro Armonico", and Handel's "Concerto Grosso in G major, Op. 6, No. 1". These works are celebrated for their vivid musical characteristics and technical demands and continue to be beloved by modern musicians and audiences.

Example of Concerto Grosso

Vivaldi: Concerto for 4 Violins / Maxim Vengerov, Bomsori Kim, Veriko Tchumburidze, Seiji Okamoto.