"Cabaletta" is a musical term that refers to the second part of a two-part aria in opera. It follows the more lyrical and expressive "cavatina" section and is characterized by its faster tempo, lively rhythm, and often virtuosic vocal passages. The cabaletta serves as a contrast to the cavatina, providing a dramatic and energetic conclusion to the aria.
Key characteristics of a cabaletta include:
Cabalettas are an essential part of the operatic repertoire, offering singers the opportunity to demonstrate their vocal prowess and express intense emotions within the context of a character's storyline. Composers like Giuseppe Verdi and Gaetano Donizetti frequently used the cabaletta-cavatina pairing to create dynamic and engaging arias.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.