"Ground Bass" is a compositional technique characterized by a repeated and fixed bassline melody or chord progression in a musical work. This bassline melody continually repeats, while the melodies above it can vary, providing a stable foundation for musical composition that allows for unique structural and emotional expression.
"Ground Bass" is a technique of creating a fixed and repetitive bassline melody in music. This bassline can consist of a sequence of notes or chords that is often repeated throughout the entire musical piece, while the melodies above it can undergo variations based on this fixed foundation.
This technique creates a distinctive structure in music and can be used to express a variety of emotions and themes. The repetitiveness of the fixed bassline provides a sense of stability to the music while offering a platform for variation in the upper melodies. Composers can introduce changes in the upper melodies to create emotional climaxes, variations, and contrasts.
Examples of ground bass can be found in Baroque-era musical compositions, particularly in genres like fugues, variations, and dances. This technique has also continued and evolved in works from other musical eras, showcasing different creative and expressive approaches.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.