Neumes are early musical notation symbols that were used in the Middle Ages to indicate the melodic contour of vocal chants. They originated in the early Christian period and were primarily employed in liturgical music. Neumes represent a system of musical notation that predates the modern staff notation system.
Instead of representing specific pitches as in modern notation, neumes indicate the general melodic direction and relative intervals of the chant. They are written as simple symbols placed above the text of the chant lyrics, allowing singers to interpret the melody and phrasing.
Neumes are typically written on a four-line staff, although earlier examples may have fewer lines or no staff lines at all. The shape and position of the neumes on the staff indicate the pitch contours, whether the melody ascends, descends, or repeats a note. Different types of neumes, such as the punctum, virga, and climacus, have distinct shapes and represent specific melodic patterns.
Since neumes do not provide exact pitch information, the interpretation and execution of the chants were largely based on oral tradition and the knowledge of experienced singers. Over time, neumes evolved into more precise notational systems, eventually leading to the development of modern staff notation.
Although neumes are no longer widely used in contemporary musical notation, they hold historical and cultural significance as a precursor to the sophisticated system of notation we use today. They provide insights into the early development of written music and offer a glimpse into the musical practices of the Middle Ages. Scholars and performers of early music continue to study and interpret neumes to reconstruct the performance practices of medieval vocal music.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.