"Relative Pitch" is a fundamental musical skill that involves being able to perceive and understand the relationships between different musical notes based on their intervals and distances from one another. Unlike "perfect pitch", which involves identifying individual notes by their exact names, relative pitch focuses on recognizing the relative differences in pitch between notes.
With relative pitch, individuals can identify and reproduce musical intervals (the distances between two notes) and chords based on their relative positions within a musical context. For example, someone with relative pitch can distinguish between a major third and a perfect fifth and can sing or play those intervals accurately, even if they don't know the specific note names involved.
Relative pitch is often developed through ear training exercises, which involve listening to and identifying different musical intervals, scales, and chords. This skill is widely considered essential for musicians, as it aids in sight-reading music, transposing music to different keys, playing by ear, and harmonizing with other musicians.
Unlike perfect pitch, which is relatively rare and often innate, relative pitch can be learned and developed by most individuals through consistent practice and training. It greatly enhances a musician's ability to understand and interpret music, making it an invaluable asset for composers, performers, and music educators alike.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.