Finale
The last section of music
"Finale" in music refers to the concluding section of a composition, movement, or performance. It is the final segment that brings a piece to a definitive end, often encapsulating the main themes, emotions, and musical ideas that have been presented throughout the work. The finale serves as a climactic point that provides a sense of resolution, closure, and fulfillment.
Composers structure finales to leave a lasting impact on the listener, using various techniques to create a sense of grandeur, excitement, or emotional release. The finale may reintroduce earlier themes, offer variations or developments on existing material, or introduce new material that ties together different elements of the composition.
The length and complexity of a finale depend on the overall structure of the piece. In shorter compositions, the finale might be a concise wrap-up that restates the main themes and brings the piece to a decisive close. In more extended works, such as symphonies or operas, the finale can be a substantial section that incorporates multiple themes, variations, and a sense of culmination.
The word "finale" itself derives from the Italian word for "end", reflecting its role as the conclusion of a musical journey. The finale is a significant part of a composition, leaving a lasting impression on the listener and ensuring that the piece comes to a satisfying and memorable conclusion.
Example of Finale
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Ludwig van Beethoven
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.
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