"Mezzo-forte" is an Italian musical term that translates to "moderately loud" or "medium strong" in English. It is used as a dynamic marking in music to indicate that a passage should be played or sung with a moderate volume or intensity.
"Mezzo-forte" is a dynamic instruction that guides performers to play a musical passage with a moderate volume and intensity. In sheet music, it is often abbreviated as "mf". This marking informs musicians that they should approach the passage with a balanced strength, producing a sound that is neither too loud nor too soft.
When encountering a "Mezzo-forte" marking, performers should play with a medium-level volume and energy. This can be achieved by striking the keys or singing the notes with a degree of force that falls between the extremes of forte (loud) and piano (soft). The "Mezzo-forte" marking can apply to individual notes, measures, or entire sections, depending on the composer's intent.
Composers use "Mezzo-forte" to indicate a passage of moderate intensity. It is often employed to express emotions with a neutral or moderate intensity. By using "Mezzo-forte", performers contribute to the dynamic shading of the music, creating contrast between louder and softer sections.
Interpreting "Mezzo-forte" requires musicians to maintain a balanced sound that is neither too forceful nor too restrained. This dynamic level contributes to the overall contour and expressiveness of the music.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.