"Ritornello" is a term used in music to refer to a recurring instrumental passage or theme that returns multiple times throughout a composition, often in alternation with contrasting sections or solo passages. The word "ritornello" is Italian, meaning "little return" or "refrain", which accurately describes its role as a recurring musical element.
Ritornellos are commonly found in various musical forms, particularly in the Baroque concerto grosso and solo concerto genres. In these compositions, the ritornello serves as a unifying element that ties together the different sections, while also providing a familiar and recognizable theme for the audience.
In the concerto grosso, the ritornello is played by the tutti (full ensemble), while contrasting sections feature smaller groups of instruments (concertino). This alternation between tutti and concertino creates a dynamic contrast and highlights the soloistic qualities of the smaller ensemble.
In the solo concerto, the ritornello often serves as an introduction or an interlude between the soloist's passages. The soloist's virtuosic sections contrast with the more orchestral character of the ritornello, showcasing the performer's skill.
Ritornellos can be seen as a precursor to the modern concept of a "refrain" in popular songs. They provide structural coherence and help guide the listener through the musical journey. As the ritornello recurs, listeners become familiar with its melody and character, contributing to their engagement and understanding of the piece's overall architecture.
While the concept of the ritornello is most closely associated with the Baroque era, its influence can be seen in various forms throughout the history of music. Whether in concertos, sonatas, or other compositions, ritornellos continue to play a significant role in creating unity and contrast within a musical work.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.