Divisi
To divide a single section of instruments into multiple subsections
"Divisi" is a musical notation term used in orchestral scores. It indicates that a section of instruments should be divided into two or more parts to play different notes within the same musical passage. This symbol signifies that what was originally a single instrument's part is now to be played by multiple voices, often from the same instrument family, such as dividing the first violin section into first and second parts.
The use of divisi enriches the orchestral color, adding depth and complexity to the music. It allows for richer harmonic structures in the ensemble, with different voices alternating between different notes to create a fuller musical effect.
In orchestral scores, "divisi" is often marked above the notes as "div." or "divisi", and the section is indicated to revert to playing in unison (as a single voice) before the divided section begins, marked with "unis." (short for unison). Performers need to follow the markings in the score to properly share the notes, ensuring the harmony and balance of the music.
The use of divisi is quite common in orchestral music, allowing for greater variation and depth in the composition, while showcasing the creativity and skill of the composer and arranger.
Example of Divisi
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Ludwig van Beethoven
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.
