"Chromatic Scale" is a musical scale that includes all twelve unique pitches within an octave, progressing exclusively by half steps (semitones). It encompasses every note in Western music, both natural and altered, resulting in a sequence of consecutive half steps with no repetition of any pitch.
The chromatic scale consists of twelve pitches: C, C#, D, D#, E, F, F#, G, G#, A, A#, and B. Each adjacent pair of notes in the chromatic scale is separated by a half step or semitone. This uniform interval pattern distinguishes the chromatic scale from diatonic scales, such as major and minor scales, which comprise a combination of whole and half steps.
Musicians use the chromatic scale as a fundamental tool for understanding pitch relationships, tuning, and interval patterns in music theory. It serves as a reference for understanding the distance between pitches, and it's essential for tuning instruments, as well as for creating melodies, harmonies, and chords.
In both Western classical and popular music, the chromatic scale finds applications in various contexts. For instance, chromatic passages can be used to create tension, add color, or introduce dissonance in compositions. Moreover, chromaticism is often a significant element in the development of harmonic progressions and modulation to different keys.
The following table shows the notes in each chromatic scale (ascending). Among them, "1" is the first note, and the chromatic scale is named according to the first note, such as "Chromatic Scale Starting on C":
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
C | C# | D | D# | E | F | F# | G | G# | A | A# | B |
C# | D | D# | E | F | F# | G | G# | A | A# | B | C |
D | D# | E | F | F# | G | G# | A | A# | B | C | C# |
D# | E | F | F# | G | G# | A | A# | B | C | C# | D |
E | F | F# | G | G# | A | A# | B | C | C# | D | D# |
F | F# | G | G# | A | A# | B | C | C# | D | D# | E |
F# | G | G# | A | A# | B | C | C# | D | D# | E | F |
G | G# | A | A# | B | C | C# | D | D# | E | F | F# |
G# | A | A# | B | C | C# | D | D# | E | F | F# | G |
A | A# | B | C | C# | D | D# | E | F | F# | G | G# |
A# | B | C | C# | D | D# | E | F | F# | G | G# | A |
Tonality | Solfège |
Major | Do Re Mi Fa So La Ti Do |
Harmonic Minor | La Ti Do Re Mi Fa Si(#) La |
Melodic Minor (A) | La Ti Do Re Mi Fi(#) Si(#) La |
Melodic Minor (D) | La So Fa Mi Re Do Ti La |
Natural Minor | La Ti Do Re Mi Fa So La |
Pentatonic | Do Re Mi So La |
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.