In music theory, the "tonic" refers to the first degree of a diatonic scale, typically represented by the Roman numeral "I". The tonic note is the most stable and central pitch within a musical key, serving as the primary point of rest and resolution in a piece of music. It forms the foundation for the entire scale and tonal system. For example:
The tonic note holds a pivotal role in establishing the key or tonality of a musical composition. It is the note to which other scale degrees and harmonies relate, providing a sense of home or arrival. Musical phrases often begin and end on the tonic note, creating a sense of musical closure and balance.
Harmonically, the tonic chord, also known as the "tonic triad", is built upon the tonic note and serves as the most stable and resolved chord in a key. In a major key, the tonic chord is major, while in a minor key, it is typically minor. For example:
The tonic chord provides a sense of finality and resolution when it is reached in a chord progression. It often follows chords that introduce tension and dissonance, such as the dominant chord, before returning to the tonic to create a feeling of musical fulfillment.
Melodically, the tonic note serves as a reference point for constructing melodies and musical phrases. Melodies often gravitate toward the tonic note, either starting or ending on it, to create a sense of stability and unity within the music.
Scale Degree | Musical Term |
First (I) | Tonic |
Second (II) | Supertonic |
Third (III) | Mediant |
Fourth (IV) | Subdominant |
Fifth (V) | Dominant |
Sixth (VI) | Submediant |
Seventh (VII) | Leading Tone |
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.