Submediant
The sixth scale degree of a diatonic scale
In music theory, the "submediant" refers to the sixth scale degree of a diatonic scale, often represented by the Roman numeral "VI" when analyzing harmonic progressions. The submediant note is a significant element in music, contributing to the overall harmonic and melodic character of a composition. For example:
- In the key of C major, the submediant note is A.
- In the key of G major, the submediant note is E.
The submediant note can be used to create harmonic variety and emotional depth in music. It often appears in chord progressions, melodies, and harmonizations. The chord built on the submediant note is typically referred to as the "vi" chord.
- In C major, the vi chord is A minor (A, C, E).
- In G major, the vi chord is E minor (E, G, B).
The submediant chord (vi) is often used to transition between other chords in a progression. It can provide a sense of contrast and can help create a musical journey by offering moments of tension and release.
Melodically, the submediant note is used in melodies to add color, expressiveness, and variety. It can be a point of departure or arrival, contributing to the overall character of a musical phrase.
Example of Submediant
List of Scale Degree
| Scale Degree | Musical Term |
| First (I) | Tonic |
| Second (II) | Supertonic |
| Third (III) | Mediant |
| Fourth (IV) | Subdominant |
| Fifth (V) | Dominant |
| Sixth (VI) | Submediant |
| Seventh (VII) | Leading Tone |
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Ludwig van Beethoven
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.
