Pralltriller
A quick alternation of a principal tone with the tone above
"Pralltriller" is a musical term derived from German, used to describe a specific ornamental technique or trill technique, also known as "Prall trill" or "Turn". This technique is characterized by the rapid alternation between the indicated note and the note immediately above it, frequently accompanied by a swift auxiliary note played before the primary note.
The symbol representing pralltriller bears resemblance to a lowercase letter "m" or a squiggly line and serves to introduce ornamentation and embellishment into the musical composition. The execution of a pralltriller may exhibit variation, contingent upon the musical style and interpretational nuances, but it consistently entails the swift and controlled oscillation of the specified note.
The pralltriller is prominently featured in music from the Baroque, Classical, and Romantic eras, frequently adorning melodic lines, cadences, or technically demanding passages. Proficiency in performing a pralltriller necessitates adept finger dexterity, precise coordination, and a keen sensitivity to musical expression.
Example of Pralltriller
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Ludwig van Beethoven
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.
