Ornamentation, in music, refers to the embellishment or decoration of a melody or musical passage. It involves the addition of extra notes, trills, turns, grace notes, and other melodic or rhythmic flourishes to enhance the expressiveness and beauty of the music.
Ornamentation has been an integral part of music across various genres and historical periods. It can be found in classical music, baroque music, folk music, jazz, and many other styles. Different musical traditions and periods have their own specific ornamentation techniques and conventions.
In classical music, composers such as Johann Sebastian Bach, Wolfgang Amadeus Mozart, and Franz Joseph Haydn often indicated specific ornaments in their compositions, but performers were also expected to add their own ornaments based on the musical style and personal interpretation. These ornaments could include trills, mordents, turns, appoggiaturas, and various types of grace notes.
Baroque music, in particular, placed great importance on ornamentation. Performers were encouraged to add improvised or written ornaments to the music, showcasing their virtuosity and creativity. Ornamentation in baroque music served as a means of expression, adding embellishments to the basic melody and enhancing its emotional impact.
In folk music traditions, ornamentation varies widely depending on the culture and region. It can involve sliding notes, bends, vibrato, and other techniques that give the music its distinct character and flavor.
In jazz, ornamentation plays a crucial role in improvisation. Jazz musicians often embellish melodies with slides, grace notes, chromatic passing tones, and other decorative elements, adding their own personal style and improvisational flair to the music.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.