"Tutti" is a musical term often found in sheet music, indicating that all the instruments or sections in an ensemble should play together simultaneously. This term originates from Italian and literally means "all" or "everyone."
When "Tutti" appears in the score, it signifies that any previous indications of divisi (dividing into multiple parts) or unison (playing in one part) should no longer be followed, and all instrumental sections should come together to perform the music as a whole. This can create a powerful musical effect and is typically used during climactic sections of a piece or when a full ensemble sound is desired.
The use of "Tutti" helps to increase the volume of the music and adds layers to the sound, emphasizing the collaborative nature of the entire ensemble. It often appears at specific points in a composition to coordinate and unify the performers' efforts, creating a more impactful and emotionally resonant musical experience.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.