"Minimalism" in music is a 20th-century style known for its simplicity, repetition, and gradual change. This style emphasizes the fundamental elements of music and focuses on subtle variations and interactions to create a profound auditory experience.
The origins of minimalist music can be traced back to the 1960s, pioneered by composers such as Steve Reich and Philip Glass. They drew inspiration from cross-cultural elements like African drumming, Balinese gamelan music, and Indian classical music. These composers aimed to blend these elements with modern compositional techniques to create music that was both simple and captivating.
Key features of minimalist music include:
Representative works of minimalist music include Steve Reich's "Drumming" and Philip Glass's "Music in Twelve Parts". This style has influenced modern classical music, film scores, electronic music, and more, expanding the understanding and appreciation of music to new horizons.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.