The "Italian Sixth" is a chord used in music theory and composition, known for its distinct harmonic color and function. Also referred to as the "Italian Augmented Sixth" chord, it is a type of altered dominant chord commonly found in classical music. The Italian Sixth chord contributes to chromatic harmonies and provides a sense of tension and resolution within musical compositions.
The Italian Sixth chord consists of the root note (fundamental), a major sixth interval, and a major third interval above the root. The resulting structure is enharmonically equivalent to a minor seventh interval above the root and is typically spelled as an augmented sixth interval and a diminished third above the root.
One of the most distinctive features of the Italian Sixth chord is its tendency to resolve outward to an octave. The augmented sixth interval resolves to the octave, while the root note often moves down by a fifth to the dominant chord.
In harmonic progressions, the Italian Sixth chord is often utilized as a chromatic passing chord. It introduces chromaticism and provides harmonic contrast, leading to a sense of tension that is subsequently resolved as it progresses to the dominant or other related chords.
The Italian Sixth chord is prevalent in classical music and continues to be a tool used by composers to create harmonic richness and evoke specific emotional effects. Its unique interval structure and its ability to infuse compositions with chromatic interest make it an essential element of classical harmonic language.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.