"Recitative" is a musical term used in opera and other vocal compositions to describe a style of singing that is closer to spoken dialogue than to regular singing. It serves as a means of advancing the plot, conveying emotions, and delivering text in a more natural and expressive manner. Recitative is commonly found in operatic works and serves as a bridge between arias, duets, and other more melodic sections.
Key characteristics of recitative include:
Composers like Wolfgang Amadeus Mozart and Christoph Willibald Gluck refined the use of recitative in their operatic works, making it an essential tool for conveying the dramatic aspects of the story. Recitative plays a vital role in opera, offering a natural and emotionally charged way to present the unfolding plot and character interactions.
Ludwig van Beethoven, German composer, the predominant musical figure during the transition between the Classical to Romantic eras. He occupies an unprecedented dominance in the history of Western music history, and has been widely regarded as the greatest, most influential and most popular musician who ever lived.
Beethoven's music inherited the artistic atmosphere of Haydn and Mozart, penetrated the desire for dignity, vented the anger tortured by fate, and demonstrated his determination to fight with fate.
Compared to other musicians, Beethoven is effectively to interact the philosophy of life with audience through music. Although he was not a romantic, he had become the object followed by other romantics.
As a musician, Beethoven suffered from ear diseases. However, he was unwilling to succumb to fate, vowing to take fate by the throat, and continue to complete his career. In the last ten years of his life, without hearing any sound, his compositions influenced the development of music for nearly two hundred years.