Bowing
弓法
「弓法」（Bowing）是一個音樂術語，意指運弓的動作或方式。這個術語主要與弦樂樂器演奏技巧相關，特別是小提琴、中提琴、大提琴和低音大提琴等樂器。
在弦樂演奏中，弓法指的是演奏者使用琴弓來產生聲音的方式。琴弓是由馬尾毛緊緊拉在一條薄而長的木條上製成的，演奏者通過在琴弓上施加壓力並在弦上移動它來產生音樂聲音。
弓法的技巧對於音樂的表達至關重要。演奏者可以通過改變琴弓的速度、壓力、弓奏的位置來實現不同的音色、音量和表情。這種技巧能夠創造出多種音樂效果，從溫和的、抒情的旋律到強烈的、激情四溢的樂句。
影片：Bowing
How to Bow Smoothly on the Violin: close up & slow motion
導師影片（Ho Nam）
導師簡介
音樂文章
樂聖：貝多芬
路德維希·范·貝多芬，德國作曲家，古典至浪漫過渡時期間的主要音樂人物。他在西方音樂史上佔有前所未有的統治地位，一直被廣泛認為是有史以來最偉大、最具影響力、最受歡迎的音樂家。
貝多芬的音樂傳承了海頓和莫札特的古典藝術氣息、滲透了個人對尊嚴的渴望、宣洩了他被命運折磨的憤怒、展示了他與命運抗衡的決心。
比起任何一位音樂家，貝多芬能夠更有力地透過音樂與聽眾交互生活哲學。儘管他不是浪漫主義者，卻成為了其他浪漫主義者所追隨的對象。
貝多芬是一位音樂創新者，他拓寬了奏鳴曲、交響樂、協奏曲和四重奏的規模。在貝多芬第九交響樂《快樂頌》之中，他以前所未有的方式將聲樂和器樂結合在一起。
作為音樂家，貝多芬飽受耳疾折磨。然而，他不甘於向命運屈服，誓要扼住命運的咽喉，繼續去完成他的事業。他在生命中的最後十餘年，在完全聽不到聲音的情況下，寫下了影響後世近二百年音樂發展的重要作品。
G Song by Terry Riley
As an iconic American composer, Terry Riley (born 1935) is always considered as a minimalist. However, this kind of thoughts would be ignoring part of his creativity. In fact, Riley added plenty elements in his compositions since 1970s, especially when he started collaborating with the Kronos Quartet. Riley’s composing style is very extensive, including improvisation, polyrhythm and jazz. He adopted classical elements, such as instrumentation, musical forms, structure and tonality. He also combined the elements from different periods to create unique musical textures. This research focuses on Terry Riley’s String Quartet, G Song. The research will be divided into two parts. The first part introduces Riley’s life and the background of G Song. The second part focuses on music analysis, including the musical structure “Two forms in one work”; The harmony “Unresolved Dissonance”; The rhythm “Metric Modulation”; The baroque “Canon”; The modern “Pointillism”. The purpose of this study is to discuss how Riley combined classicism and modernism into a work, and discuss why the statement “Terry Riley is considered as minimalist” would be ignoring part of his story.